[Film Review] Anne of the Thousand Days (1969)

Anne of the Thousand Days poster.jpg

Title: Anne of the Thousand Days
Year: 1969
Country: UK
Language: English
Genre: Biography, Drama, History
Director: Charles Jarrott
Bridget Boland
John Hale
Richard Sokolove
based on the play of Maxwell Anderson
Music: Georges Delerue
Cinematography: Arthur Ibbeston
Richard Burton
Geneviève Bujold
Irene Papas
Anthony Quayle
John Colicos
Michael Hordern
Katharine Blake
Valerie Gearon
Michael Johnson
Peter Jeffrey
Joseph O’Conor
Gary Bond
William Squire
Esmond Knight
Terence Wilton
Marne Maitland
Lesley Paterson
Vernon Dobtcheff
Nicola Pagett
T.P. McKenna
Nora Swinburne
Kate Burton
Elizabeth Taylor
Rating: 6.8/10

Anne of the Thousand Days 1969.jpg

A Tudor costume saga diligently sensationalizes the folie-à-deux of King Henry VIII (Burton) and Anne Boleyn (Bujold), the queen he falls in and (a thousand days later) out of love with, one vacuously succumbs to his hardened promiscuity and the fixation of begetting a male heir, whereas the another tragically falls victim of her own delusional abuse of power.

Hardly as operatic and opaque as Anthony Harvey’s THE LION IN WINTER, the movie doesn’t mince words in depicting the outrageous predisposition of Henry VIII, a horny, spoilt, reckless, cold-blooded pig might be quite an apt description if one can pay no heed of lèse-majesté and Mr. Burton’s rendition is competent more than somewhat, drumming up his sonorous rhetoric with blistering confidence (he acquired his penultimate Oscar nomination), but overtly and uncompromisingly, he is shy of any trace of compassion in portraying a famous monarch, which may deter even the most devout monarchist to concoct rational excuses to his inexcusable wantonness and callousness, a stratagem doesn’t seem to be out of sync with the makeup of the movie’s targeted audience.

On the other hand, we have the Canadian Francophile actress Geneviève Bujold in her first English-speaking film, a career-making opportunity which earned her an Oscar nomination, her Anne Boleyn is a much complicated character than Henry VIII, her metamorphosis from a headstrong ingénue to a queenship-coveting hard-liner strikes home through the agglomeration of her implacable gaze and intractable ferocity (she only relents when she becomes love-struck, a tangible human touch never materializes in Henry’s front), to a point we feel impelled to rally our antipathy to let her be answerable for the ongoing persecutions (both religiously and maritally), and in fact, there is only one man who has the power to allow all those things to happen, that is how good Ms. Bujold’s performance is, not to mention her Tower of London monologue, her resounding delivery is quite an unparalleled showstopper in almost every aspect.

The Greek goddess Irene Papas (although miscast for her ethnic looks), brings about ample poignancy as Queen Catherine of Aragon, and British thespian Anthony Quayle circumspectly treads the board as Cardinal Thomas Wolsey, a piteous prey of a king’s whims but also eloquently registers that vice is never devoid within his consecrated remit, another Oscar-calibre feat shouldn’t go unnoticed. But the same merit cannot be related to John Colicos’ Thomas Cromwell, a peripheral but important character marred by Colicos’ repugnant haughtiness.

Directed by Charles Jarrott with due mettle and moxie, ANNE OF THE THOUSAND DAYS might be a worthy period drama gallantly grappling with unsavory subjects such as adultery, incest and illegitimacy, but in this day and age, its uncritical overtone jars by testing one’s moral line in the sand, even Anne’s prophetic revenge of a gyneco-sovereign doesn’t really pay off in the end of the day.

referential point: Anthony Harvey’s THE LION IN WINTER (1968, 6.2/10)

Oscar 1969 - Anne of the Thousand Days.jpg


One thought on “[Film Review] Anne of the Thousand Days (1969)

  1. Pingback: [Film Review] A Man for All Seasons (1966) – Cinema Omnivore

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